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Scotland has influenced Donegal fiddling in various ways. Workers from Donegal would go to Scotland in the summer and bring back Scottish tunes with them; Donegal fiddlers have used Scottish tunebooks and learned from records of Scottish fiddlers like J. Scott Skinner and Mackenzie Murdoch.
The National Records of Scotland attest that Gow himself used the name 'Neil'. [4] To add to the confusion, he had a musical grandson (by Nathaniel) who did spell his name "Neil". The annual Niel Gow Fiddle Festival takes place in Dunkeld and Birnam, Perthshire, Scotland. It was established in 2004 to celebrate the life and music of Gow ...
Fiddlers from Scotland. Subcategories. This category has only the following subcategory. S. Shetland fiddlers (12 P) Pages in category "Scottish fiddlers"
This Celtic derived music is most strongly expressed on Cape Breton Island, which is especially well known for the Scottish influx in the late 18th century and early 19th century. Scottish-style fiddle music, sometimes accompanied by the piano, was popular at the time, and these traditions survive today. In some cases, like Cape Breton Island ...
The Celtic Music Interpretive Centre in Judique, Cape Breton, lists the following 78 rpm recordings of Bill Lamey's music in their archives. [4]Celtic 028 Highland Watch's Farewell to Ireland, Celtic 029 Neil Gow's Lamentation for Dr. Moray/MacKenzie Hay, Celtic 044 Lovat Scouts/Dr. Shaw's Strathspey, Celtic 027 Bog an Lochan, Apex 26350 Lieut Howard Douglas, Apex 26351 The Warlocks/The ...
American bluegrass and country music styles have some of their roots in the Appalachian ballad culture of Scotch-Irish Americans (predominantly originating from the "Border Ballad" tradition of southern Scotland and northern England). Fiddle tunes from the Scottish repertoire, as they developed in the eighteenth century, spread rapidly into ...
South-central North Carolina has deep Scottish roots dating to the 1700s, when Scottish emigrants fled the Highlands to the shores of North Carolina and moved up the Cape Fear River to the pine ...
Metis fiddling can be described as the incorporation of First Nations, Scottish, and French-Canadian rhythms, but with a unique Metis beat. [2] David Chartrand (president of the Manitoba Métis Foundation) was interviewed in a 2006 documentary by John Barnard, and emphasizes that the Métis fiddle tradition is an oral tradition [3] which cannot be taught in school.