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Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
In the Tang dynasty (618–907), Chinese lacquerware saw a new style marked by the use of sheets of gold or silver made in various shapes, such as birds, animals, and flowers. [13] The cut-outs were affixed onto the surface of the lacquerware, after which new layers of lacquer were applied, dried, and then ground away, so the surface could be ...
Ryukyuan lacquer, like lacquerwares from other parts of East and Southeast Asia, comes in a number of standard categories: painted lacquer, carved, incised and filled in with gold, painted with gold, and inlaid with mother-of-pearl. The use of mother-of-pearl in particular is a common feature of Ryukyuan lacquers, as is the use of particular ...
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
Georgian japanned tin tea tray—severely worn—black lacquer and gilt made in Birmingham, UK Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork . It was first used on furniture, but was later much used on small items in metal.
In Wajima, lacquer products have been excavated at the Yadani B ruins, which are remains from the Heian period. As a bowl with characteristics of Wajima lacquerware, a bowl using diatomaceous earth as a base was excavated at the Nishikawajima Gunmidate ruins ( early Muromachi period ) in Anamizu-cho , south of Wajima across the mountains.