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In January 2008, Billington debated London School of Economics Asia expert James Putzel on Iranian television, as part of the English-language Press TV's "Four Corners" program. The topic of the discussion was the insurgency in the southern part of the Philippines , and whether it is a solely indigenous problem, or whether American interests ...
Michael Billington may refer to: Michael Billington (actor) (1941–2005), British film and television actor Michael Billington (critic) (born 1939), British author and arts critic
Michael Keith Billington (born 16 November 1939) is a British author and arts critic. [1] He writes for The Guardian , and was the paper's chief drama critic from 1971 to 2019. [ 2 ] Billington is "Britain's longest-serving theatre critic" and the author of biographical and critical studies relating to British theatre and the arts.
Billington was married to Katherine Kristoff (1956-1998) from 1988 to 1998. They had a son, Michael. Michael Billington died of cancer on 3 June 2005, at the age of 63.
The director had been sent a script by actor Michael Billington which Wickes said, "needed a re-write, but I liked it because it was about a very human thing — dreaming the impossible dream. Tony Williams liked it too, so I went to see David Essex. I thought he might be interested because he was a keen biker himself." [5]
The Secret Policeman's Ball is a series of benefit shows staged initially in the United Kingdom to raise funds for the human rights organisation Amnesty International.The shows started in 1976 featuring popular British comedians but later included leading musicians and actors.
Language: English: KGB: The Secret War is a 1985 American film directed by Dwight H. Little. ... Michael Billington as Peter Hubbard; Denise DuBarry as Adèle Martin;
Michael Billington of The Guardian awarded the play five stars, and praised its handling of themes like identity politics and medical ethics. [14] In another five-star review, Fiona Mountford of The Telegraph described it as: "thrilling series of games of theatricality and rugpulling in which nothing is quite what – or who – it seems.