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Saint Catherine (Master Theodoric) Saint Catherine of Alexandria (Artemisia Gentileschi) Saint Catherine of Alexandria (Raphael) Saint Catherine of Alexandria and Saint Jerome; Saint Catherine of Alexandria Polyptych; St John Chrysostom Altarpiece; Saint Madeleine and Saint Catherine (Witz) St Mark with Saints Leonard and Catherine of Alexandria
Saint Catherine of Alexandria (c. 1598) is an oil painting (173x133 cm) by the Italian Baroque master Caravaggio, painted from 1598-1599. It is part of the Thyssen-Bornemisza Collection of Madrid . History and description
Kneeling in front of them is a young woman who kisses Christ’s outstretched right hand. Generally described as a "female saint," she has been identified as Saint Catherine of Alexandria. According to the Golden Legend, Saint Catherine had a vision of Christ appearing to her, and was mystically married to him.
Saint Catherine of Alexandra is a painting by the Italian Baroque artist Artemisia Gentileschi.It is in the collection of the Uffizi, Florence. [1] Gentileschi likely used the same cartoon or preparatory drawing to create both this painting and the Self-Portrait as Saint Catherine of Alexandria (1615–1617), now in the National Gallery, London.
On the church’s facade are the statues of Saints Peter and Paul. Devotees regularly visit the church, even when there’s no mass, to ask for forgiveness and say their thanks and praises. Many Dumagueteños believed that their patroness St. Catherine of Alexandria is miraculous and it gives them a lot of reason to smile and celebrate life.
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A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
In the painting, Catherine of Alexandria is looking upward in ecstasy and leaning on a wheel, an allusion to the breaking wheel (or Catherine wheel) of her martyrdom. [ 1 ] It was painted c. 1507–1509 , towards the end of Raphael's sojourn in Florence, and shows the young artist in a transitional phase.