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It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
A dip in Salsa A dip in Lindy Hop A drop in Salsa. Dips are common to many partner dance styles (Tango, Lindy Hop, Salsa, Ballroom dances), as well as couple's Disco. [1] Characteristics of a dip include: weight-sharing. Usually the follower supports part (or all) of her weight by the supporting leg bent at the knee.
Describing and mastering proper dance positions is an important part of dance technique. These dance positions of a single dancer may be further detailed into body, head, arm, hand, leg, and foot positions; also, these positions in a dance couple can additionally take into account connection , the relative orientation of partners, and ...
The steps of a dance or pattern may be listed in a step sheet. Dance patterns may be described by difficulty. [7] Dance patterns may be described according to combinations of quick and slow steps and often by the rhythm or meter of the music, for example waltz steps (three-count step patterns danced to waltz music), swing steps (four-count ...
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet, tap dancing, and square dancing, which have their own elaborate terminology.
Similarly, as the follower takes their second step (the second "slow"), CBM occurs as the left leg moves forward and the right side of the torso moves forward, causing the body to begin rotation to the left. An exaggerated CBM is the basic of some specific dance moves, e.g., Chicken Walks in Jive and East Coast Swing.
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Leader (man) backing diagonal wall and about to step diagonally back (i.e., towards the wall); follower (lady) facing diagonal wall. Explanation see below. In ballroom dancing (and in some other types of partner dance ), directions of progressive movement, in particular directions of steps, can be indicated either in relation to the room or in ...