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Some can be as small a range as 2 + 1 ⁄ 2 octaves but concert xylophones are typically 3 + 1 ⁄ 2 or 4 octaves. Like the glockenspiel, the xylophone is a transposing instrument: its parts are written one octave below the sounding notes. [5] Concert xylophones have tube resonators below the bars to enhance the tone and sustain. Frames are ...
This group of instruments includes all keyboard percussion and mallet percussion instruments and nearly all melodic percussion instruments. Those three groups are themselves overlapping, having many instruments in common. Angklung [1] Celesta [2] Chime bar; Cup chime [3] Glockenspiel; Hand chime; Marimba; Metallophone; Piano; Steel pan; Tubular ...
The glockenspiel is limited to the upper register and typically covers between 2 + 1 ⁄ 2 and 3 octaves, though certain professional models may reach up to 3 + 1 ⁄ 2 octaves. [4] The glockenspiel is often a transposing instrument and sounds two octaves above the written pitch, though this is sometimes remedied by using an octave clef. [5]
The name is a slight misnomer, in that almost every percussion instrument is played with some type of mallet or stick. With the exception of the marimba, almost every other keyboard instrument has been used widely in an orchestral setting. There are many extremely common and well-known excerpts for most of the mallet instruments.
111.241.2 Sets of gongs; 111.242 Bells – The vibration is weakest near the vertex 111.242.1 Individual bells; 111.242.2 Sets of bells or chimes; 112 Indirectly struck idiophones – the player himself does not go through the movement of striking; percussion results indirectly through some other movement by the player.
Despite the name, keyboard instruments such as the celesta and keyboard glockenspiel are not considered keyboard percussion instruments, despite being idiophones, due to the different skillsets required to play them. This is because keyboard percussion instruments do not possess actual keyboards, but simply follow the arrangement of the ...
Often, mallets of differing material and hardness are used to create different timbres on the same types of instrument (e.g. using either wooden or yarn mallets on a xylophone). Some mallets, such as vibraphone mallets, are normally just called mallets, others have more specialized names including:
See also untuned percussion Pitched percussion: A glockenspiel and a set of crotales in use.. This subsection is traditionally called tuned percussion, [2] however the corresponding term untuned percussion is avoided in modern organology in favour of the term unpitched percussion, so the instruments of this subsection are similarly termed pitched percussion.