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Let My People Come is a musical with book and music by Earl Wilson, Jr. and lyrics by Wilson and Phil Oesterman. [1] Subtitled "A Sexual Musical", the sexually-explicit show originally ran from 1974 to 1976 at The Village Gate Theater in Greenwich Village, New York City.
Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'". The musical is a tribute to the music of Fats Waller.
Diamonds is a musical revue about baseball.The book and music were created by many writers, composers, and lyricists. Among them were Ellen Fitzhugh, Roy Blount, Jr., Alan Zweibel, and John Weidman (book); and Larry Grossman, Comden and Green, Howard Ashman, Alan Menken, Kander and Ebb, and Cy Coleman, music.
The revue was first produced at the Manhattan Theater Club in 1976 under the title Theater Songs by Maltby and Shire. In March 1977, the show moved to the Barbarann Theater Restaurant in New York City, where it ran for 120 performances. The cast featured Loni Ackerman, Margery Cohen and George Lee Andrews.
Broadway revue: Cassius Freeborn ... Jr. Notable song: "Woman". The Pirates of Penzance: 1879 Fifth Avenue Theatre: Arthur Sullivan: ... Play On! 1997 Broadway: Duke ...
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. [ 1 ]
The series included The Bing Boys on Broadway and The Bing Girls Are There. The music for them was written by Nat D. Ayer with lyrics by Clifford Grey, and the text was by George Grossmith, Jr. and Fred Thompson based on Rip and Bousquet's Le Fils Touffe. Other material was contributed by Eustace Ponsonby, Philip Braham and Ivor Novello.
The revue opened on Broadway on April 3, 1997 at the Royale Theatre after twenty-four previews. Directed and choreographed by Wayne Cilento , the costumes are by Ann Hould-Ward , lighting by Ken Billington and sets by David Mitchell.