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The Good Shepherd, c. 300–350, at the Catacombs of Domitilla, Rome. The Good Shepherd (Greek: ποιμὴν ὁ καλός, poimḗn ho kalós) is an image used in the pericope of John 10:1–21, in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep. Similar imagery is used in Psalm 23 and Ezekiel 34:11–16.
The chapter ends with Jesus evading Jewish attempts to stone him (John 10:31,39) and then leaving Jerusalem and traveling "beyond the Jordan to the place where John was baptizing at first" . Matthew 19:1 and Mark 10:1 similarly record that Jesus traveled "to the region of Judea by the other side of the Jordan", but in the synoptic tradition He ...
The seven occurrences with a predicate nominative that have resulted in some of the titles for Jesus are: I am the Bread of Life (John 6:35) I am the Light of the World (John 8:12) I am the Door (John 10:9) I am the Good Shepherd (John 10:11,14) I am the Resurrection and the Life (John 11:25) I am the Way and the Truth and the Life (John 14:6)
John 17:1–26 is generally known as the Farewell Prayer or the High Priestly Prayer. [6] [19] It is by far the longest prayer of Jesus in any of the gospels. [7] While the earlier parts of the discourse are addressed to the disciples, this final part addresses the Father, as Jesus turns his eyes to heaven and prays. [6]
The Good Samaritan: Luke 10:37 The Friend at Midnight: Luke 11:5–8 The Unjust Judge: Luke 18:1–8 The Rich Fool: Luke 12:16–21 Dives and Lazarus: Luke 16:19–31 The Great Supper: Luke 14:15–24 The Prodigal Son: Luke 15:11–32 The Unjust Steward: Luke 16:1–9 The Unprofitable Servants: Luke 17:7–10 The Pharisee and the Publican: Luke ...
Young Children & Worship, a collection of lessons with accompanying hands-on materials, was developed by Jerome Berryman, an Episcopal priest, and Sonja Stewart, a professor of Christian education at Western Theological Seminary. [10] Berryman had studied the Montessori method in Italy, and had been trained in the Catechesis of the Good Shepherd.
The Good Shepherd, now clearly identified as Christ, with halo and often rich robes, is still depicted, as on the apse mosaic in the church of Santi Cosma e Damiano in Rome, where the twelve apostles are depicted as twelve sheep below the imperial Jesus, or in the Mausoleum of Galla Placidia at Ravenna.
The prescribed readings for that Sunday were from the First Epistle of Peter (Christ as a model – 1 Peter 2:21–25), and from the Gospel of John, (the Good Shepherd – John 10:11–16). [3] During the cycle of 1724/25, the text of the inner stanzas of a hymn was paraphrased by a contemporary poet with whom Bach collaborated.