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  2. HDR10+ - Wikipedia

    en.wikipedia.org/wiki/HDR10+

    Logo. HDR10+ [1] is a high dynamic range (HDR) video technology that adds dynamic metadata [2] to HDR10 source files. The dynamic metadata are used to adjust and optimize each frame of the HDR video to the consumer display's capabilities in a way based on the content creator's intentions.

  3. HDR10 - Wikipedia

    en.wikipedia.org/wiki/HDR10

    On HDR10 displays that have lower color volume than the HDR10 content (for example lower peak brightness capability), the HDR10 metadata gives information to help adjust the content. [6] However, the metadata is static (remain the same for the entire video) and does not tell how the content should be adjusted.

  4. Comparison of video codecs - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video_codecs

    The compression may employ lossy data compression, so that quality-measurement issues become important. Shortly after the compact disc became widely available as a digital-format replacement for analog audio, it became feasible to also store and use video in digital form. A variety of technologies soon emerged to do so.

  5. Video coding format - Wikipedia

    en.wikipedia.org/wiki/Video_coding_format

    A video coding format [a] (or sometimes video compression format) is a content representation format of digital video content, such as in a data file or bitstream. It typically uses a standardized video compression algorithm, most commonly based on discrete cosine transform (DCT) coding and motion compensation .

  6. Luma (video) - Wikipedia

    en.wikipedia.org/wiki/Luma_(video)

    Luma is the weighted sum of gamma-compressed R′G′B′ components of a color video—the prime symbols ′ denote gamma compression. The word was proposed to prevent confusion between luma as implemented in video engineering and relative luminance as used in color science (i.e. as defined by CIE ).

  7. Lossy compression - Wikipedia

    en.wikipedia.org/wiki/Lossy_compression

    The compression ratio (that is, the size of the compressed file compared to that of the uncompressed file) of lossy video codecs is nearly always far superior to that of the audio and still-image equivalents. Video can be compressed immensely (e.g., 100:1) with little visible quality loss; Audio can often be compressed at 10:1 with almost ...

  8. Gamma correction - Wikipedia

    en.wikipedia.org/wiki/Gamma_correction

    luminance is the photometric brightness of an object (in units of cd/m 2), taking into account the wavelength-dependent sensitivity of the human eye (the photopic curve); relative luminance is the luminance relative to a white level, used in a color-space encoding; luma is the encoded video brightness signal, i.e., similar to the signal voltage ...

  9. Chroma subsampling - Wikipedia

    en.wikipedia.org/wiki/Chroma_subsampling

    Digital signals are often compressed to reduce file size and save transmission time. Since the human visual system is much more sensitive to variations in brightness than color, a video system can be optimized by devoting more bandwidth to the luma component (usually denoted Y'), than to the color difference components Cb and Cr.

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