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Pixelization (in British English pixelisation) or mosaic processing is any technique used in editing images or video, whereby an image is blurred by displaying part or all of it at a markedly lower resolution. It is primarily used for censorship. The effect is a standard graphics filter, available in all but the most basic bitmap graphics editors.
Blur, Blurry, Blurring, Blurred or Blurr, may refer to: Optics and images Bokeh ... Blur Studio, a graphics and video effects company; See also
In the simple case of grayscale images, the blurred images are obtained by convolving the original grayscale images with Gaussian kernels having differing width (standard deviations). Blurring an image using a Gaussian kernel suppresses only high-frequency spatial information. Subtracting one image from the other preserves spatial information ...
Blur Studio was founded in March 1995 [3] by David Stinnett, Tim Miller, and Cat Chapman. [4] Blur produced Xbox demo video Two to Tango for console's mascots Raven and Robot. [5] [6] [7] Sometime between 2001 and 2003, the studio took interest in The Lego Group's Bionicle theme and produced a short test pitch, under the title "Tahu Nuva vs Kohrak", but Lego had ultimately passed on the project.
Examples of computer clip art, from Openclipart. Clip art (also clipart, clip-art) is a type of graphic art. Pieces are pre-made images used to illustrate any medium. Today, clip art is used extensively and comes in many forms, both electronic and printed. However, most clip art today is created, distributed, and used in a digital form.
An advanced use of the diorama effect in a motion picture was a process developed by Clark James, dubbed Smallgantics, for "Harrowdown Hill", a music video for Thom Yorke of Radiohead. The project was produced at Bent Image Lab in July 2006 and directed by filmmaker Chel White. In this instance, the false diorama effect was achieved digitally ...
Chronophotographic studies of animals in motion, created by scientist Étienne-Jules Marey beginning in the 1880s, led to the introduction in painting of techniques to show motion, such as blurring, multiplication, and superimposition of body parts—perhaps in an effort to imitate these mechanical images.
The term comes from the Japanese word boke (暈け/ボケ), which means "blur" or "haze", resulting in boke-aji (ボケ味), the "blur quality".This is derived as a noun form of the verb bokeru, which is written in several ways, [7] with additional meanings and nuances: 暈ける refers to being blurry, hazy or out-of-focus, whereas the 惚ける and 呆ける spellings refer to being mentally ...