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Wedding Song (There Is Love)" is a title of a 1971 hit single by Paul Stookey. The song, which Stookey credits to divine inspiration, [1] has since been recorded by many singers (with versions by Petula Clark and Mary MacGregor returning it to the Billboard Hot 100) and remains a popular choice for performance at weddings.
Petula Clark at the Internet Broadway Database; Petula Clark discography at Discogs; petulaclark.co.uk, her British official website; Petula Clark LIVE on YouTube --- 20 songs performed live mostly on television. Glenn Gould dissects the music and image of Petula Clark in a 1967 CBC broadcast (sound only) BBC interview, April 2002
These Are My Songs is a 1967 album released by Petula Clark. In a break with longtime collaborator Tony Hatch, Clark joined forces with producer Sonny Burke and arranger/conductor Ernie Freeman for this release. The album includes two songs that were released as singles.
Petula Clark Sings: Released: 1956 (UK) ... "The Wedding Song (There Is Love)" ... * songs with lyrics not in English Notes
"Sign of the Times", also known as "A Sign of the Times", is a song performed by Petula Clark, featured on her album My Love and released as a single in March 1966. It was the follow-up to her #1 US hit " My Love ," the title track from the aforementioned album, and it continued her association with writer/producer Tony Hatch and songwriter ...
Someone Like You is a musical with a book by Robin Midgley and Fay Weldon, lyrics by Dee Shipman, and music by Petula Clark. Based on a concept developed by Clark and Ferdie Pacheco over a period of several years, it is set in West Virginia immediately after the end of the Civil War .
the song's popularity mandates its inclusion in any concert Clark gives in the English-speaking world; Clark generally performs the song combining French lyrics with the English. the one published biography of Clark written to date (by Andrea Kon in 1983) is titled This Is My Song (W.H. Allen & Co. Ltd.).
Petula Clark, who had been playing to her French-speaking fans in small venues in Quebec when "Downtown" entered the US charts, swiftly cut non-English versions of the song for the markets in France, Italy and Germany; the absence in each region's language of a two-syllable equivalent of "downtown" necessitated a radical lyric recasting for the ...