Search results
Results From The WOW.Com Content Network
The Song of Hiawatha (full name: Scenes from The Song of Hiawatha by Henry Wadsworth Longfellow), Op. 30, is a trilogy of cantatas written by Samuel Coleridge-Taylor between 1898 and 1900. The first part, Hiawatha's Wedding Feast, was particularly famous for many years and made the composer's name known throughout the world.
Samuel Coleridge-Taylor was born at 15 Theobalds Road in Holborn, London, [3] to Alice Hare Martin (1856–1953), [4] an Englishwoman, and Daniel Peter Hughes Taylor, a Creole man from Sierra Leone who had studied medicine in London and later became an administrator in West Africa. They were not married, and Daniel had returned to Africa ...
The most celebrated setting of Longfellow's story was the cantata trilogy, The Song of Hiawatha (1898–1900), by the English composer Samuel Coleridge-Taylor. The first part, "Hiawatha's Wedding Feast" (Op. 30, No. 1), [ 49 ] based on cantos 11–12 of the poem, was particularly famous for well over 50 years, receiving thousands of ...
During Coleridge's 1793 summer vacation from Christ's Hospital, he stayed with his family members in Ottery St Mary, Devon. [1] Both "Songs of the Pixies" and the smaller "To Miss Dashwood Bacon", written during this time, refer to The Pixies' Parlour, a place near Ottery and to events taking place during Coleridge's vacation: the locals during that time dubbed Miss Boutflower as "fairy queen ...
William de Leftwich Dodge's painting Death-Of-Minnehaha "The Death of Minnehaha" was a part of Henry Wadsworth Longfellow's 1855 poem The Song of Hiawatha. It was rendered by the painter William de Leftwich Dodge in 1892, as the painting Death-Of-Minnehaha.
During 1802, Coleridge wrote the poem Hymn Before Sunrise, which he based on his translation of a poem by Brun.However, Coleridge told William Southeby another story about what inspired him to write the poem [1] in a 10 September 1802 letter: "I involuntarily poured forth a Hymn in the manner of the Psalms, tho' afterwards I thought the Ideas &c disproportionate to our humble mountains ...
Although Coleridge mourns over his siblings and the suffering that comes when people die, he is equally concerned about his own suffering and his fear that he would go without being loved. This theme of suffering and lack of love appears in his other poems, including Dejection: An Ode .
Samuel Coleridge-Taylor arranged the song as the first movement of his Trio in E minor of 1893. [5] Multiple recordings of the song were made by Paul Robeson, starting in 1926. [6] Mahalia Jackson recorded the song for her album Bless This House in 1956. [7] Bessie Griffin and The Gospel Pearls recorded the song on their Portraits in Bronze ...