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Also one-shot cinema, one-take film, single-take film, continuous-shot film, or oner. A feature-length motion picture filmed in one long, uninterrupted take by a single camera, or edited in such a way as to give the impression that it was. opening credits (for a film) opening shot (for a scene) over cranking over the shoulder shot (OTS)
A celo cucoloris casting a shadow Crew members on National Treasure using a cookie. In lighting for film, theatre and still photography, a cucoloris (occasionally also spelled cuculoris, kookaloris, cookaloris or cucalorus) is a light modifier (tool, device) for casting shadows or silhouettes to produce patterned illumination.
a) The process of electronically processing a digital video picture to make it use less storage or to allow more video to be sent down a transmission channel. b) The process of removing picture data to decrease the size of a video image. c) The reduction in the volume of data from any given process so that more data can be stored in a smaller ...
Photographic processing or photographic development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light. [1]
This makes most chemical-based photography a two-step process, which uses negative film and ordinary processing. Special films and development processes have been devised so that positive images can be created directly on the film; these are called positive, or slide, or (perhaps confusingly) reversal films and reversal processing.
Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6) Anthotype; Autochrome Lumière, 1903; Carbon print, 1862; Chromogenic positive E-3 process; E-4 process; E-6 process; Chromogenic negative C-41 process; RA-4 process; Dufaycolor; Dye destruction ...
If this is right, then depiction and resemblance cannot be identified, and a resemblance theory of depiction is forced to offer a more complicated explanation, for example by relying on experienced resemblance instead, which clearly is an asymmetrical notion (that you experience x as resembling y does not mean you also experience y as ...
A developable photographic latent image forms when crystals of silver halide in an emulsion layer are exposed to light. The initial nucleation phase is chemically and thermodynamically unstable; it is thus temperature sensitive, and involves the production of one, or very few silver atoms as sub-latent image specks in each silver halide crystal.