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Traffic were an English rock band formed in Birmingham [4] in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. [5] They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards (such as the Mellotron and harpsichord), sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their ...
Heavy Traffic – 1975 US #155; More Heavy Traffic – 1975 US #193; Smiling Phases – 1991; Heaven Is in Your Mind - An Introduction to Traffic – 1998 (part of Island's An Introduction to... series) Feelin' Alright: The Very Best of Traffic – 2000 (re-released in 2007 as The Definitive Collection, part of Universal's The Definitive ...
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The Chicago band "40,000 Headmen", who play the music of Traffic, Blind Faith and Spencer Davis Group, get their name from this song. The Blood, Sweat and Tears version begins and ends with a music box playing Bela Bartok's Hungarian Folk Song.
The Low Spark of High Heeled Boys is the fifth studio album by English rock band Traffic, released in 1971. The album was Traffic's most successful in the United States, reaching number 7 on the Billboard Top LPs chart and becoming their only platinum-certified album there, indicating sales in excess of one million. However, it failed to chart ...
Traffic is the second studio album by the English rock band of the same name, released in 1968 on Island Records in the United Kingdom as ILPS 9081T (stereo), and United Artists in the United States, as UAS 6676 (stereo).
In 1970, Traffic toured in support of their comeback album John Barleycorn Must Die, with a quartet line-up of Steve Winwood, Chris Wood, Jim Capaldi, and Ric Grech.In November, the group played a series of concerts at the Fillmore East, and recordings from these concerts were compiled into a live album, to be called Live Traffic, [5] consisting of "Who Knows What Tomorrow May Bring", "Glad ...
Thus Winwood's erstwhile solo album became the reunion of Traffic (minus Dave Mason), and a re-launch of the band's career. [6] Mad Shadows would go on to be the title of Mott the Hoople's second album, also produced by Guy Stevens, and the new Winwood/Traffic album took its title from one of its tracks and became John Barleycorn Must Die.