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In the tradition of Vaishnavism of Manipur Raas Leela is depicted within Manipuri classical Indian dance and revolves around the story of love between Krishna and Radha, his divine beloved. This form of dance was started by Bhagya Chandra in 1779 and in some parts of India is still performed every year on Krishna Janmashtami (the festival to ...
The Raas Leela is based on Hindu Vaishnavism themes and exquisite performances of the love-inspired dance drama of Radha-Krishna called Raas Leela. The roots of the Manipuri Raas Leela dance, as with all classical Indian dances, is the ancient Hindu Sanskrit text Natya Shastra, with influences and the cultural fusion between various local folk ...
The Manipuri dance comes in two categories - tandav (vigorous dance for the dancer who plays Krishna) and lasya (delicate [54] dance for the dancers who play Radha and Gopis). [55] [56] The Manipuri Raas Leela dance style embodies dreamy wavelike movements where one movement dissolves into another like the waves of an ocean.
The Manipuri classical dance, also known to as the Manipuri Raas Leela dance (Meitei: Jagoi Raas/Raas Jagoi [24] [25] [26]), is one of the eight major Indian classical dance forms, originating from the state of Manipur. [27]
The Manipuri classical dance, also known as the Manipuri Raas Leela (Meitei: ꯖꯒꯣꯏ ꯔꯥꯁ/ꯔꯥꯁ ꯖꯒꯣꯏ, romanized: Jagoi Raas/Raas Jagoi [34] [35] [36]), is a jagoi and is one of the major Indian classical dance drama forms, originating from Kangleipak (Meitei for 'Manipur'). [37]
The Manipuri classical dance, also known as the Manipuri Raas Leela (Meitei: ꯖꯒꯣꯏ ꯔꯥꯁ/ꯔꯥꯁ ꯖꯒꯣꯏ, romanized: Jagoi Raas/Raas Jagoi [11] [12] [13]), is a jagoi and is one of the major Indian classical dance drama forms, originating from Kangleipak (Meitei for 'Manipur'). [14]
The tradition of Rasa Lila in Manipur is attributed to Ching-Thang. The first Manipur Maha Rasleela was performed in 1777. [3] [9] It was his daughter Shija Lailoibi who first took the role of Radha in the Manipuri Raas Leela dance. Under the influence of Bengali missionaries, he also started the tradition of Sankirtan in Manipur. [10]
With a vast cultural changes during the then king Bhangyachandra, which include development of raslila dance drama of Manipuri Raas Leela dedicated to ras of Krishna and gopis, which is well known to the world, the image of Manipuri society changed and evolved as a sanskritised society. Various other literature of gaudiya sampradaya was ...