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The setting of the sentence in the funeral music for Queen Mary [7] was published by E. C. Schirmer in 1925 and reprinted in the first "Concord Series" collection of forty anthems for use in the Protestant churches, edited by Archibald T. Davison and Henry Wilder Foote.
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
Even after music was printed with the hymn texts, however, the tunes used with each hymn text have changed from time to time in Latter-day Saint hymnbooks. For example, of the twenty-six hymns in the 1985 hymnal that were included in the 1835 hymnbook, only five of the original hymns are probably still sung to their original tunes.
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
On Eagle's Wings" is a devotional hymn composed by Michael Joncas. Its words are based on Psalm 91 , [ 1 ] Book of Exodus 19, and Matthew 13 . [ 2 ] Joncas wrote the piece in either 1976 [ 3 ] or 1979, [ 1 ] [ 4 ] after he and his friend, Douglas Hall, returned from a meal to learn that Hall's father had died of a heart attack. [ 5 ]
This collection included various hymns on each book of the Bible. The hymn is one of 21 inspired by verses from the Book of Leviticus. [1] "A Charge to Keep I Have" was later included in A Collection of Hymns, for the Use of the People Called Methodists, published in 1780 by Charles's brother John Wesley.
Timothy Dudley-Smith wrote the hymn in May 1961 when he and his wife had just moved into their first house in Blackheath.He was inspired to write the text when he was reading a modern paraphrase of the Magnificat in Luke 1:46–55 in the New English Bible, a translation which begins with the phrase, "Tell out, my soul, the greatness of the Lord".
According to the music score, Manders' piece starts off slow and sweet, as the sopranos sing of the peace found under the wings of the Lord. The legato voices create an aura of trust and refuge. The light tone featured at the beginning of the song transitions to an energetic, bold tone as the choir sings that they "will not fear."