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Eastern emoticons generally are not rotated sideways, and may include non-Latin characters to allow for additional complexity. These emoticons first arose in Japan, where they are referred to as kaomoji (literally "face characters"). The base form consists of a sequence of an opening round parenthesis, a character for the left eye, a character ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 6 February 2025. Pictorial representation of a facial expression using punctuation marks, numbers and letters Not to be confused with Emoji, Sticker (messaging), or Enotikon. "O.O" redirects here. For other uses, see O.O (song) and OO (disambiguation). This article contains Unicode emoticons or emojis ...
As of Unicode version 16.0, there are 155,063 characters with code points, covering 168 modern and historical scripts, as well as multiple symbol sets.This article includes the 1,062 characters in the Multilingual European Character Set 2 subset, and some additional related characters.
Geometric Shapes; Range: U+25A0..U+25FF (96 code points) Plane: BMP: Scripts: Common: Symbol sets: Control code graphics Geometric shapes: Assigned: 96 code points
In logic, a set of symbols is commonly used to express logical representation. The following table lists many common symbols, together with their name, how they should be read out loud, and the related field of mathematics.
Sideways open O FUT [2] ᴖ ᵔ: Top half O ᴗ ᵕ: Bottom half O Ꞷ ꞷ Omega ɷ 𐞤 Closed omega Obsolete IPA /ʊ/ Obsolete IPA near-close near-back rounded vowel alternative symbol used until 1989; Superscript form is an IPA superscript letter [7] Ȣ ȣ: Ou Ligature of Latin o and u ᴕ ᴽ: Small capital Ou FUT [2] a back vowel of ...
Copy and paste. Find an en dash (–), an em dash (—), or a minus sign (−) already in some text—in this sentence, for example—and paste it where a new one is ...
The 1961 35 mm f / 3.5 PC-Nikkor lens—the first perspective-control lens for a 35 mm camera. In photography, a perspective-control lens allows the photographer to control the appearance of perspective in the image; the lens can be moved parallel to the film or sensor, providing the equivalent of corresponding view camera movements.