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Carlo Scarpa (2 June 1906 – 28 November 1978) was an Italian architect and designer. He was influenced by the materials, landscape, and history of Venetian culture, as well as that of Japan. [ 1 ] Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and ...
It was designed by Venetian architect Carlo Scarpa between 1968–1978 as an L-shaped 2,000 m 2 (22,000 sq ft) extension to the adjacent municipal cemetery. It is regarded as a masterpiece of post-modernist architecture and a powerful commemorative monument.
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The museum has a substantial art collection, specially of masterpieces of Venetian Baroque and Rococo, including paintings by Giovanni Bellini (Presentation at the Temple), Pietro Longhi, Giandomenico Tiepolo, Giulio Carpioni, Federico Cervelli, Matteo Ghidoni, Pietro and Alessandro Longhi, Pietro Muttoni, (also called della Vecchia), and Marco and Sebastiano Ricci among others.
The other main building is the artist's birthplace "casa natale di Antonio Canova" (the house where he was born), which today contains an art gallery (oils on canvas and tempera), some drawings, the engravingss of the works, and numerous memorabilia.
Scarpa's architectural style is visible in the details for doorways, staircases, furnishings, and even fixtures designed to hold a specific piece of artwork. The renovation carefully balanced new and old, revealing the history of the original building where appropriate. Unusual at the time, this approach has now become a common approach to ...
The entrance hall was restored in 1936 by the great Italian architect Carlo Scarpa. On that occasion Scarpa designed: the glass wall entrance, which reminds the window of the great hall on the second floor; the benches (with the typical T-shape pattern present in other works by Carlo Scarpa) the handrail of the nineteenth-century stairway; the ...