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The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Semoga Bahagia is a Malay song composed by the Singaporean composer Zubir Said, who also composed Majulah Singapura, the national anthem of Singapore. The song has been the official Children's Day song in Singapore since 1961, and is also performed at the Singapore Youth Festival (SYF) as its official theme song.
A C major chord, the major triad built on the note C (C–E–G), is referred to as the one chord of that key and notated in Roman numerals as I. The same C major chord can be found in other scales: it forms chord III in the key of A minor (A→B→C) and chord IV in the key of G major (G→A→B→C). This numbering indicates the chords's ...
The first tablature program was written for the Amstrad CPC 464 in 1986. "Tab Composer CPC" was implemented in Locomotive BASIC 1.0. It offered a multi-page graphical WYSIWYG, 3-channel polyphonic playback and volume and tone envelope functionality, as well as save and load.
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
In Engelbart's original mapping, he used five keys: 1, 2, 4, 8, 16. The keys were mapped as follows: a = 1, b = 2, c = 3, d = 4, and so on. If the user pressed keys 1 and 2 simultaneously, and then released the keys, 1 and 2 would be added to 3, and since C is the 3rd letter of the alphabet, and the letter "c" appeared.