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Blow was released to North American theaters on April 6, 2001. To promote the film, pocket-size rectangular mirrors were distributed at advance screenings. [4] The promotional items attracted criticism for appearing to promote cocaine use, as the mirrors resembled ones used to cut cocaine. [5] Blow performed below expectations at the box office ...
Blowup (also styled Blow-Up) is a 1966 psychological mystery [3] film directed by Michelangelo Antonioni, co-written by Antonioni, Tonino Guerra and Edward Bond [4] and produced by Carlo Ponti. It is Antonioni's first entirely English-language film and stars David Hemmings , Vanessa Redgrave and Sarah Miles .
David Hemmings at the TCM Movie Database; A collection of pictures taken on the set of Blowup at the Wayback Machine (archived 5 April 2004) Pulleine, Tim (5 December 2005). "David Hemmings – Gifted Actor, Director and Producer Who Successfully Outgrew His Iconic '60s Image in Antonioni's Blow Up". The Guardian
Title Director Cast Genre/Note The 3rd Voice: Hubert Cornfield: Edmond O'Brien, Laraine Day, Julie London: Mystery: 20th Century Fox: 12 to the Moon: David Bradley: Ken Clark, Tom Conway, Michi Kobi
Blow-Up is a soundtrack album by American jazz pianist Herbie Hancock, featuring music composed for Michelangelo Antonioni's 1966 film Blowup. MGM Records released the album in the United States on 20 February 1967, and in the United Kingdom on 10 May. [ 3 ]
Come Blow Your Horn is a 1963 American comedy film directed by Bud Yorkin from a screenplay by Norman Lear, based on the 1961 play of the same name by Neil Simon. The film stars Frank Sinatra , Lee J. Cobb , Molly Picon , Barbara Rush , and Jill St. John .
Seconds is a 1966 American science fiction psychological horror [3] film directed by John Frankenheimer and starring Rock Hudson, Salome Jens, John Randolph, and Will Geer. [4]
The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios.As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films.