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Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good").
An oxymoron is a figure of speech in which a pair of opposite or contradictory terms is used together for emphasis. [27] Examples: Organized chaos, Same difference, Bittersweet. A paradox is a statement or proposition which is self-contradictory, unreasonable, or illogical. [28] Example: This statement is a lie.
Aphorismus: statement that calls into question if a word or phrase is properly used to characterize a subject. Aposiopesis: breaking off or pausing speech for dramatic or emotional effect, often through the use of dashes or ellipses. Assonance: repetition of vowel sounds: "Smooth move!" or "Please leave!" or "That's the fact Jack!"
An oxymoron refers to a word, phrase, or use of language that seems to directly contradict itself, and it is believed to come from the Greek oxý (s), “sharp,” and mōrós, “dull.”
The use of tautologies, however, is usually unintentional. For example, the phrases "mental telepathy", "planned conspiracies", and "small dwarfs" imply that there are such things as physical telepathy, spontaneous conspiracies, and giant dwarfs, which are oxymorons. [8] Parallelism is not tautology, but rather a particular stylistic device.
Despite much critical praise, there is plenty of controversy surrounding the film.Here's why. 'Emilia Pérez' director Jacques Audiard addresses tweet controversy. In a Q&A with Deadline published ...
The AP released a statement on X after the awkward moment went viral, writing, “We are deeply sorry for cutting our interview with Babyface short on our YouTube livestream of the Grammys red ...
Häxan (1922), a horror essay film about the historical roots and superstitions surrounding witchcraft. A film essay (also essay film or cinematic essay) consists of the evolution of a theme or an idea rather than a plot per se, or the film literally being a cinematic accompaniment to a narrator reading an essay. [9]