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Hawkes & Son (initially Rivière & Hawkes), [2] a rival to Boosey & Company, was founded in 1865 by William Henry Hawkes selling orchestral sheet music. The company also made musical instruments and spare parts such as clarinet reeds , and by 1925 Hawkes had set up an instrument factory in Edgware , North London . [ 6 ]
Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G F (on request) E♭ B♭ Fratelli Patricola E♭ C, B♭, A Luis Rossi D: C, B♭, A
in Markneukirchen: all brass instruments of the Buffet Crampon Group are manufactured in the two factories there, with the exception of the Besson student instruments and the "high end" instruments of the Melton Meinl Weston brand, as well as student clarinets of the Buffet Crampon brand and all instruments of the brands W.Schreiber and J ...
4 Poems by Jaan Kaplinski, for soprano and 13 instruments (1991) 9 Settings of Celan (may be performed as a set or individually) for soprano, 2 clarinets, viola, cello and double bass (1989–96) Pulse Shadows (the 9 Movements for string quartet interleaved with the 9 Settings of Celan) (1989–96)
"Boosey & Hawkes Up for Sale as Owner Seeks Quick £80m". The Observer. {}: Check date values in: |date= , so I can't really say how accurate that is. By the way, you don't happen to live in London, do you? A photograph of the Boosey & Hawkes Music Shop at 295 Regent Street would be great for illustrating the article.
The shorthand for the instrumentation of a symphony orchestra (and other similar ensembles) is used to outline which and how many instruments, especially wind instruments, are called for in a given piece of music. The shorthand is ordered in the same fashion as the parts of the individual instruments in the score (when read from top to bottom).
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The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]