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This subject exhibits the avaricious King of Phrygia, attired in a blue vesture and a yellow mantle, bending on one knee supplicating Bacchus to take back the power with which he had endowed him, of changing whatever he touched into gold. The deity stands near, holding a cup in one hand, while the other is compassionately extended towards the ...
Grover Underwood is a satyr and Percy's best friend. He appears in The Lightning Thief, The Sea of Monsters, The Titan's Curse, The Battle of the Labyrinth, The Last Olympian, The Son of Neptune, The House of Hades, The Blood of Olympus, The Burning Maze, The Chalice of the Gods and Wrath of the Triple Goddess.
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
At the extreme right of the Bacchus and Ariadne is a shaggy Silenus holding a vine-clad staff. According to Luskin, he is the vision Bacchus sees of Eros after Ampelos’ death who, as recounted by Nonnos (Dionysiaca, XI. 351–354), appears to the wine god ‘in the horned shape of a shaggy Seilenos…’ holding a fennel staff. [16]
Acoetes alone was saved and continued on his journey with Bacchus, [3] returning to Naxos, where he was initiated in the Bacchic mysteries and became a priest of the god. [4] In Ovid's Pentheus and Bacchus, Acoetes was brought before the King to determine if Bacchus was truly a god. After listening to Acoetes tale of being on the ship with ...
According to myth, Syceus was one of the Titans. Zeus, the king of gods who overthrew the Titans during the Titanomachy and threw them all into Tartarus, pursued him, and Syceus took refuge into his mother Gaia's bosom, who grew a fig tree in his place. Syrinx ("pipe") Reeds: Naiads
Paolo Sorrentino’s “The Hand of God,” Julia Ducournau’s “Titane,” Jasmila Žbanić’s “Quo Vadis, Aida?,” Florian Zeller’s “The Father,” and Juho Kuosmanen’s ...
Cultist rites associated with the worship of the Greek god of wine, Dionysus (or Bacchus in Roman mythology), were characterized by maniacal dancing to the sound of loud music and crashing cymbals, in which the revelers, called Bacchantes, whirled, screamed, became drunk and incited one another to greater and greater ecstasy.