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One of the best known metrical versions of Psalm 23 is the Christian hymn, "The Lord's My Shepherd", a translation first published in the 1650 Scottish Psalter. [21] Although widely attributed to the English Parliamentarian Francis Rous , the text was the result of significant editing by a translating committee in the 1640s before publication ...
"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire.
The King of Love My Shepherd Is is an 1868 hymn with lyrics written by Henry Williams Baker, based on the Welsh version of Psalm 23 and the work of Edmund Prys. [1] [2] [3] It is most often sung to one of four different melodies: "Dominus Regit Me", composed by John Bacchus Dykes, a friend and contemporary of Henry Williams Baker.
So Sidney's portrayal of God in his Psalms would be less aggressive and commanding than the version seen in David's Psalm 23. A similarity between both versions of Psalm 23 is the presence of Death and how it is portrayed.
In addition, some psalms had alternative versions in other meters, including long meter (LM), short meter (SM), and irregular metrical patterns, and each of these had a unique tune. From the 19th century onwards, these often appeared at the end of music editions in whole rather than split pages.
A unique Psalms scroll with only about a quarter of the Masoretic psalms (in atypical order), three Syriac psalms, one from Ben Sira, and the only known copies of three more unique psalms—Plea for Deliverance, Apostrophe to Zion, and Hymn to the Creator—all of which are unattested by other sources, as well as the short text of David's ...
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The Lord Is My Shepherd is a sacred choral composition by John Rutter, a setting of Psalm 23. The work was published by Oxford University Press in 1978. [1] Marked "Slow but flowing", the music is in C major and 2/4 time. [2] Rutter composed it for Mel Olson and the Chancel Choir of the First United Methodist Church in Omaha, Nebraska. [2]