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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
One common conception of modernity is the condition of Western history since the mid-15th century, or roughly the European development of movable type [68] and the printing press. [69] In this context the modern society is said to develop over many periods, and to be influenced by important events that represent breaks in the continuity. [70 ...
This category is intended for articles concerning architects, styles and buildings of the 20th century modernist architecture (i.e. high modernism in architecture). It includes the Bauhaus, Mid-Century Modern, International style, Brutalism, and other regional expressions.
The style later became widely known as part of the mid-century modern style, elements of which represent the populuxe aesthetic, [4] [5] as in Eero Saarinen's TWA Terminal. The term Googie comes from the now-defunct Googies Coffee Shop in Hollywood [6] designed by John Lautner. [7] Similar architectural styles are also referred to as Populuxe ...
Tropical Modernism, or Tropical Modern is a style of architecture that merges modernist architecture principles with tropical vernacular traditions, emerging in the mid-20th century. The term is used to describe modernist architecture in various regions of the world, including Latin America, Asia and Africa, as detailed below.
Dingbat building named "The Mary & Jane" with styled balconies A stucco box. In a 1998 Los Angeles Times editorial about the area's evolving standards for development, the birth of the dingbat is retold (as a cautionary tale): "By mid-century, a development-driven southern California was in full stride, paving its bean fields, leveling mountaintops, draining waterways and filling in wetlands ...
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A related issue is the loss of self and need for self-definition, as workers faded into the background of city life, unnoticed cogs within a machine yearning for self-definition. American modernists echoed the mid-19th-century focus on the attempt to "build a self"—a theme illustrated by Fitzgerald's The Great Gatsby.