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Pages in category "19th-century songs" The following 94 pages are in this category, out of 94 total. ... Maggie May (folk song) March of Oriamendi; Mein Waldeck;
This is a list of folk song collections including pioneer and notable work in collecting folk songs. Many such collections were made in the 19th century. The earlier ones are often considered to be parts of the National Romanticist interests in folklore. The monumental efforts of single enthusiasts laid the foundation for the modern academic ...
"The Rose of Tralee" – a 19th-century County Kerry song credited to C. (or E.) Mordaunt Spencer with music by Charles William Glover [9] "The Rose of Clare" ("Lovely Rose of Clare") – written by Chris Ball [70] "The Rose of Mooncoin" – a County Kilkenny song, written in the 19th century by a local schoolteacher and poet named Watt Murphy [9]
Yorkshire folk song lacked the unique instrumental features of folk in areas like Northumbria and was chiefly distinguished by the use of dialect, particularly in the West Riding and exemplified by the song 'On Ilkla Moor Baht 'at', probably written in the later 19th century and using a Kent folk tune (almost certainly borrowed via a Methodist ...
The collection of love, soldiers, wandering, and children's songs was an important source of idealized folklore in the Romantic nationalism of the 19th century. Des Knaben Wunderhorn became widely popular across the German-speaking world; Johann Wolfgang von Goethe , one of the most influential writers of the time, declared that Des Knaben ...
This is a list of folk heroes, a type of hero – real, fictional or mythological – with their name, personality and deeds embedded in the popular consciousness of a people, mentioned frequently in folk songs, folk tales and other folklore; and with modern trope status in literature, art and films.
Early 19th Century or before Musicologist Cecil Sharp, influential in the folklore revival in England, noted in his 1916 One Hundred English Folksongs that the words are "so corrupt, indeed, that in some cases we can do little more than guess at their original meaning"
It is particularly associated with two movements, usually referred to as the first and second revivals, respectively in the late 19th to early 20th centuries and the mid-20th century. The first included increased interest in and study of traditional folk music, the second was a part of the birth of contemporary folk music.