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Fred Parris and the Scarlets, Fred Parris and The Restless Hearts, Fred Parris and The Five Satins, 5 Satins, The Wildwoods, The New Yorkers, Black Satin, Billy Baker and The Satins, The Five Satins featuring Freddie Parris, The Five Satins featuring Fred Parris: Origin: New Haven, Connecticut, United States: Genres: Doo-wop: Years active: 1954 ...
The original Five Satins version of the song featured prominently in Martin Scorsese's 2019 epic crime film The Irishman, including the opening scene and end credits. It is the first track on the film's soundtrack album, released by Sony Music on November 8, 2019. The same version also appears in the second season of the television series Dark ...
Max Liebman Presents, aka Max Liebman Spectaculars, [citation needed] is an American television musical variety series, presented monthly in a 90-minute format on NBC, beginning September 12, 1954, and ending on June 6, 1956. Throughout the show's run, episodes were broadcast on Saturdays beginning at 9 p.m. Eastern Time.
Fred Parris, a songwriter best known for being part of The Five Satins and its 1956 ballad "In The Still of the Night," has died. He was 85.The group's Facebook page released a statement Friday ...
Parris died after a brief illness, according to a Facebook post on his account.
"Lost in the Fifties Tonight (In The Still of the Night)" is a single released by country music singer Ronnie Milsap. It is a medley of "Lost in the Fifties Tonight" written by Mike Reid and Troy Seals and The Five Satins' 1956 hit "In the Still of the Night", written by Five Satins lead singer Fred Parris.
Ember Records was an American independent record label, run by Al Silver in New York City as the sister label to his Herald imprint. Among the artists on the label were the Five Satins, who recorded the Fred Parris song "In the Still of the Night", and New Orleans saxophonist Lee Allen who hit with "Walking With Mr. Lee".
Here are more major questions that we’re asking before Part 2, which streams Sept. 12 with five new episodes: 'Emily in Paris': How the Netflix comedy gets serious with a 'complex' Me Too story