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A 50mm anamorphic lens with a 2x squeeze will have the horizontal view of a 25mm spherical lens, while maintaining the vertical view and depth of field of a 50mm. This has led to the common claim that anamorphic lenses have shallower focus, as the cinematographer must use a longer lens to obtain the same horizontal coverage.
The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the great majority are simply re-branded lenses originally known by another name.
Anamorphic effects are popular in street art, sometimes called "Slant Art" when accomplished on sidewalks. Examples are the sidewalk chalk drawings of Kurt Wenner and Julian Beever, [16] where the chalked image, the pavement, and the architectural surroundings all become part of an illusion. Art of this style can be produced by taking a ...
When Moment announced an anamorphic lens, it really caught my attention. After all, the film Tangerine was shot on an iPhone 5S using an anamorphic lens from Moondog Labs, so I was excited to try ...
CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
This little lens brings big screen cinemascope perspective to mobile phones via a phone case for either the iPhone, Google Pixel, or Galaxy. This is great news for filmmakers on a budget chasing ...