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Leaf album painting of flowers, a butterfly, and a twisted rock sculpture, by Chen Hongshou (1598–1652). During the Ming dynasty (1368–1644), Chinese painting progressed further basing on the achievements in painted art during the earlier Song dynasty and Yuan dynasty. The painting techniques which were invented and developed before the ...
Emperor Xuanzong's Journey to Sichuan, a late Ming dynasty painting by Qiu Ying (1494–1552) The Ming dynasty (1368–1644) of China was known for its advanced and cultured society. The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late ...
Wu Wei (traditional Chinese: 吳偉; simplified Chinese: 吴伟; pinyin: Wú Wěi; ca. 1459–1508) was a painter of Ming dynasty (1368–1644) China famous for his landscapes. Wu was born in Wuchang in Hubei province. [1] His style names were Shiying and Ciweng, and his sobriquets were Lufu and Xiaoxian. [2]
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
Qiu Zhu (Chinese: 仇珠; Wade–Giles: Ch'iu Chu; fl. 1565–1585), commonly known as Miss Qiu and by her art name Duling Neishi (Chinese: 杜陵内史), was a Chinese painter during the Ming dynasty, noted for paintings with figures (rather than landscapes), including several depictions of the goddess Guanyin.
According to Ming dynasty book collector, publisher Mao Jin' s account, the Zhang family of Hedong (now Yongji, Shanxi Province) to which Zhang Yanyuan belonged, "collected distinguished calligraphy and paintings for three generations." Zhang's great grandfather and grandfather were both high ranking officials serving at the imperial courts, as ...
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
The blue-green shan shui (simplified Chinese: 青绿山水; traditional Chinese: 青綠山水; pinyin: Qīng-Lǜ Shān-Shuǐ), is a Chinese painting style of "shan shui". It tends to refer to an "ancient style" rather than modern ones. The main colours of the paintings are blues and greens, and in the early period it was painted using mineral dyes.