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The Paleo-Hebrew and Phoenician alphabets are two slight regional variants of the same script. The first Paleo-Hebrew inscription identified in modern times was the Royal Steward inscription (KAI 191), found in 1870, and then referred to as "two large ancient Hebrew inscriptions in Phoenician letters".
The following other wikis use this file: Usage on als.wikipedia.org Hebräisches Alphabet; Usage on ar.wikipedia.org الأبجدية العبرية
Black and white facsimile of the Leningrad Codex at Archive.org (988 pages) Color images of the Leningrad Codex at Archive.org (921 pages) The Unicode/XML Leningrad Codex (UXLC 2.2) is a free and updated version of the Westminster Leningrad Codex (WLC) version 4.20 (25 Jan 2016) in Unicode with XML markup. The WLC morphological division markers ...
Ancient Jewish art, is art created by Jews in both the Land of Israel and in the Diaspora prior to the Middle Ages. It features symbolic or figurative motifs often influenced by biblical themes, religious symbols, and the dominant cultures of the time, including Egyptian , Hellenistic , and Roman art .
Some claimed that Paleo-Hebrew was the original script used by the Israelites at the time of the Exodus. [10] According to this tradition, [11] the block script seen today in Hebrew Torah Scrolls, called the "Assyrian script" (Kthav Ashurith) in the Talmud, was the original Hebrew script carved into the Ten Commandments. [12]
Date/Time Thumbnail Dimensions User Comment; current: 17:46, 23 October 2014: 512 × 1,365 (612 bytes): TFerenczy: File talk:Hebrew letter Yud handwriting.svg: 23:20, 1 March 2008
The Lachish Letters are a series of letters written in carbon ink containing ancient Israelite inscriptions in Ancient Hebrew on clay ostraca.The letters were discovered at the excavations at Lachish (Tell ed-Duweir).
A shiviti from Denmark, with Hebrew text in the shape of a menorah.. Micrography (from Greek, literally small-writing – "Μικρογραφία"), also called microcalligraphy, is a Jewish form of calligrams developed in the 9th century, with parallels in Christianity and Islam, [1] utilizing minute Hebrew letters to form representational, geometric and abstract designs.