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Short title: Untitled; File change date and time: 11:44, 25 July 2007: Date and time of digitizing: 11:44, 25 July 2007: Software used: LilyPond 2.10.25: Conversion program
Kopitz presents the finding by the German organ scholar Johannes Quack that the letters that spell Elise can be decoded as the first three notes of the piece. Because an E ♭ is called an Es in German and is pronounced as "S", that makes E –(L)–(I)– S – E : E –(L)–(I)– E ♭ – E , which by enharmonic equivalents sounds the same ...
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It had the inscription "Für Elise am 27 April zur Erinnerung von L. v. Bthvn" [For Elise on 27 April (1810) as memento by L. v. Bthvn]. Indeed, Anna Milder-Hauptmann named her "Elise" in a letter to her. [1] During the days before Beethoven's death, she and her husband Hummel visited Beethoven several times, and cut and saved a lock of his hair.
"Für Elise" (German: "For Elise") is the popular name of the "Bagatelle in A minor", WoO 59, a work for solo piano written by Ludwig van Beethoven in about 1810. The work is widely familiar and has been frequently adapted for use in works of popular culture. This article is a listing of such uses.
The Romances were written in December 1849, one of the most productive years of Schumann's entire career. [3] Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. [3]
A short organ piece, 12 complete bars and the beginning notes of the 13th bar. Air with variations in C minor, unfinished, BWV 991. The first 10 bars feature coherent two-part writing, but the remaining 35 bars only have one voice written out. "Jesus, meine Zuversicht", chorale prelude, BWV 728.