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'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
A labyrinth can be generated by tiles in the form of a white square with a black diagonal. As with the quarter-circle tiles, each such tile has two orientations. [3] The connectivity of the resulting labyrinth can be analyzed mathematically using percolation theory as bond percolation at the critical point of a diagonally-oriented grid.
Printed Tile Art. Tile art is a small arrangement of tiles, or in some cases a single tile, with a painted pattern or image on top. Tile art includes other forms of tile-based art, such as mosaics, micromosaics, and stained glass. [1] Unlike mosaics, tile art can include larger pieces of tiles that are pre-decorated.
This type of tile was named for the Qallalin district of Tunis, where they were most commonly produced. [1]: 223–224 [2]: 84 Although their production may have started as early as the 16th century, prior to the advent of Ottoman rule, the height of their production and artistic quality was in the 17th and 18th centuries.
17th century Delft blue and white tile with sea monster. Delftware wall tiles, typically with a painted design covering only one (rather small) blue and white tile, were ubiquitous in Holland and widely exported over Northern Europe from the 16th century on, replacing many local industries. Several 18th century royal palaces had porcelain rooms ...
The details of the pattern indicate that girih tiles, rather than compass and straightedge, were used for decorating the shrine. The patterns appear aperiodic; within the area on the wall where they are displayed, they do not form a regularly repeating pattern; and they are drawn at two different scales. A large-scale pattern is discernible ...