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Samuel Goldwyn (/ ˈ ɡ oʊ l d w ɪ n /; born Szmuel Gelbfisz; Yiddish: שמואל געלבפֿיש; August 27, 1882 (claimed but most likely July 1879) – January 31, 1974), also known as Samuel Goldfish, [1] was a Polish-born American film producer and pioneer in the American film industry, who produced Hollywood's first major motion picture.
Goldfish with Palette, dated November 1914–spring 2015, was also made during this period. [11] These two pieces were painted at Matisse's studio at 19, quai Saint-Michel. [12] Woman Before an Aquarium, 1921–1923. Goldfish would again appear in Matisse's work in the following decade, such as in The Goldfish Bowl (winter 1921–22). [13]
The 1912 Goldfish painting was unlike other Matisse works featuring goldfish, as the four goldfish themselves are the focus of the piece. [2] Matisse continued the use of bright colours found in his Fauvist work on Goldfish. The painting features a "bright orange [that] strongly contrasts with the more subtle pinks and greens that surround the ...
Film Notes Edward Bloom: Fish Big Fish: His true form is that of a giant fish in the film. Bruce Great white shark Jaws: Bruce was the name of the mechanical shark film prop. Jaguar Shark Shark The Life Aquatic with Steve Zissou: Killed Zissou's partner during the making of a documentary. Justice Tuna Serenity
As described in a film magazine review, [3] Jennie Wetherby and her husband Jimmy agree that if they tire of wedded life, she or he will hand the other a bowl of goldfish, signifying that their marital partnership is ended. They quarrel and Jimmy carries out the threat, giving Jenny a bowl of goldfish.
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A merchant and his young son are traveling near by a river when he stumbles upon a drifting boat that contains a baby girl, and a live goldfish in a bowl. The merchant realises the baby is unusual because her life is bonded to the fish: if the fish leaves the water, the baby stops breathing. The merchant adopts the baby and names her Bidasari.