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Volume 1, Page 142 of the 1578 Stephanus edition of Plato, showing the opening of Theaetetus. Stephanus pagination is a system of reference and organization used in modern editions and translations of Plato (and less famously, Plutarch [citation needed]) based on the three-volume 1578 edition [1] of Plato's complete works translated by Joannes Serranus (Jean de Serres) and published by ...
The Symposium is a dialogue—a form used by Plato in more than 30 works. However, unlike in many of his other works, most of it is a series of speeches from different characters.
The traditional division of the works of Plato into tetralogies was done by Thrasyllus of Mendes. [6] The list includes works of doubtful authenticity (in italic), as well as the Letters. 1st tetralogy Euthyphro, Apology, Crito, Phaedo; 2nd tetralogy Cratylus, Theatetus, Sophist, Statesman; 3rd tetralogy Parmenides, Philebus, Symposium, Phaedrus
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
The Seventh Letter of Plato is an epistle that tradition has ascribed to Plato. It is by far the longest of the epistles of Plato and gives an autobiographical account of his activities in Sicily as part of the intrigues between Dion and Dionysius of Syracuse for the tyranny of Syracuse .
Axiochus (Greek: Ἀξίοχος) is a Socratic dialogue attributed to Plato, but which has been considered spurious for over 400 years. The work dates from the Hellenistic era , c. 1st century BC. The author was probably a Platonist , [ 1 ] or perhaps a Neopythagorean . [ 2 ]
Eryxias (/ ɪ ˈ r ɪ k s i ə s /; Ancient Greek: Ἐρυξίας) is a Socratic dialogue attributed to Plato, but which is considered spurious.It is set in the Stoa of Zeus Eleutherios, and features Socrates in conversation with Critias, Eryxias, and Erasistratus (nephew of Phaeax).
It appears to be a combination of two separate works. The first part is a monologue (addressed to Demodocus), which argues against collective decision-making. There then follows a trilogy of dialogues (with anonymous participants) which raise three elements of doubt against common sense .