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On the one hand, through the continuous development of cognitive and emotional models of the description of aesthetic experience, [3] [4] taking into account various psychological variables. On the other hand, through refined laboratory experiments, concerning specific questions but also diverse attempts to research aesthetic experiences in ...
Aesthetic philosophers sometimes also refer to psychological studies to help understand how people see, hear, imagine, think, learn, and act in relation to the materials and problems of art. Aesthetic psychology studies the creative process and the aesthetic experience. [17]
Aesthetic cognitivism is a methodology in the philosophy of art which relies on research in cognitive psychology, particularly using audience responses to art. Although the term is used more in the humanities , the methodology is inherently interdisciplinary due to its reliance on both humanistic and scientific research.
[16] [31] Understanding that much of the research done on neuroaesthetics utilizes the aesthetic triad. The aesthetic triad are the components of the neural system utilized in an aesthetic experience and in research method, these components include sensory-motor, knowledge meaning and emotional valuation.
The processing fluency theory of aesthetic pleasure emphasizes the interaction between the viewer and an object in that it integrates theories and a wide range of empirical evidence that focus on effects of objective stimulus attributes on perceived beauty [5] with those that emphasize the role of experience, for example by invoking ...
Aesthetic emotions are emotions that are felt during aesthetic activity or appreciation. These emotions may be of the everyday variety (such as fear, wonder or sympathy) or may be specific to aesthetic contexts. Examples of the latter include the sublime, the beautiful, and the kitsch. In each of these respects, the emotion usually constitutes ...
The Aesthetic Mind: Philosophy and Psychology is a 2011 book edited by Elisabeth Schellekens and Peter Goldie. The contributors try to provide a new understanding of aesthetics and the experience of art based on philosophical reflections and evidence from empirical sciences .
Theodor Lipps (German:; 28 July 1851 – 17 October 1914) was a German philosopher, known for his theory regarding aesthetics, creating the framework for the concept of Einfühlung (), defined as, "projecting oneself onto the object of perception."