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"Cumberland Gap" (Roud 3413) is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics.
The song was popular among old-time musicians of the Cumberlands before being widely adopted in the bluegrass repertoire. [4] Many variants of "Shady Grove" exist (up to 300 stanzas by the early 21st century). [5] The lyrics describes "the true love of a young man's life and his hope they will wed," [6] and it is sometimes identified as a ...
The song was named for Cumberland Gap, a narrow pass through the Cumberland Mountains, which was explored by Daniel Boone in the 1770s, as he blazed the Wilderness Road.In recognition of this heritage, the town of Cumberland Gap, Tennessee, hosts the monthly "Cumberland Mountain Music Show", with live gospel, bluegrass, and country music.
Every year, numerous festivals are held through the Appalachian region, and throughout the world, to celebrate Appalachian music and related forms of music. One of the oldest is the Ole Time Fiddler's and Bluegrass Festival (known as "Fiddler's Grove") [ 48 ] in Union Grove, North Carolina , which has been held continuously since 1924. [ 49 ]
Like numerous other folk songs, "In the Pines" was passed on from one generation and locale to the next by word of mouth. In 1925, a version of the song was recorded onto phonograph cylinder by a folk collector. This was the first documentation of "The Longest Train" variant of the song, which includes a verse about "The longest train I ever ...
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Two songs were nominated for Academy Awards: "You Will Be My Ain True Love", written by Sting, and "The Scarlet Tide", written by Burnett and Elvis Costello. Both songs were sung by Alison Krauss. The soundtrack consists of Appalachian, roots music, and old-time music to accompany the era of the movie.
The results of Campbell and Sharp's respective work were ultimately made publicly available in a groundbreaking 1917 publication "English Folk Songs from Southern Appalachia" [12] which exposed for the first time the persistence of such folk songs, of Scotch-Irish origin, in the repertoires of the residents of the remote Appalachian mountains ...