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The glass at the top of the window was often also filled with painted architectural detail, such as arches, pinnacles and canopies, which harmonised with the architecture of the church itself. The figures in the windows showed the influence of medieval manuscripts; the poses were more natural. [4] The 14th-century glass also showed technical ...
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
Other windows referred to other rites under debate in the late 12th century - confession, the hierarchy of church power, marriage, extreme unction, finding relics and translating relics. [ 9 ] Some windows referred to political theology such as the status of princes and kings and the balance of temporal and spiritual power.
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. [1] [2] The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features ...
The facade, which is broad relative to its height, has unfinished side-towers 105 feet (32 m) and 110 feet (34 m) tall, begun in the 13th century. an Most of the windows of the choir and the transepts preserve their stained glass of the 12th and 13th centuries; the end window, the Crucifixion Window contains the figures of Henry II and Eleanor.
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
Early Gothic architecture was the result of the emergence in the 12th century of a powerful French state centered in the Île-de-France.King Louis VI of France (1081–1137), had succeeded, after a long struggle, in bringing the barons of northern France under his control, and successfully defended his domain against attacks by the English King, Henry I of England (1100–1135).
The molten glass was colored with metal oxides, and then blown into a bubble, which was cut and flattened into small sheets. [22] The glass sheets were then transferred to the workshop of the window-maker, usually close to the cathedral site. There a full-size precise drawing of the window was made on a large table, with the colors indicated.