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María Irene Fornés (May 14, 1930 – October 30, 2018) was a Cuban-American playwright, theater director, and teacher who worked in off-Broadway and experimental theater venues in the last four decades of the twentieth century. Her plays range widely in subject matter, but often depict characters with aspirations that belie their disadvantages.
This is a non-diffusing subcategory of Category:American dramatists and playwrights. It includes dramatists and playwrights that can also be found in the parent category, or in diffusing subcategories of the parent.
There's Wisdom in Women (1935), by Joseph Kesselring; They Too Arise (1937), by Arthur Miller; They're Made Out of Meat (1991), by Terry Bisson; This Is Our Youth (1996), by Kenneth Lonergan; The Time of Your Life (1939), by William Saroyan; To Kill a Mockingbird (2018), by Aaron Sorkin; Torch Song Trilogy (1982), by Harvey Fierstein
Resilience Productions, Monroe County Civic Theater, Babel Theater Project, Off Night Productions provide staged readings for In Her Words festival.
In the Next Room was a finalist for the 2010 Pulitzer Prize for Drama [37] and was nominated for the 2010 Tony Award for Best Play, Best Featured Actress, and Best Costume. [50] Ruhl explains, One physician quoted in the book [The Technology of the Orgasm] argued that at least three-fourths of women had ailments that could be cured by the ...
It includes dramatists and playwrights that can also be found in the parent category, or in diffusing subcategories of the parent. Subcategories This category has the following 3 subcategories, out of 3 total.
Annie Baker (born April 1981) [1] is an American playwright and film director. She is known for her Pulitzer Prize-winning play The Flick (2013). She has written a string of plays which are set in the fictional town of Shirley: Body Awareness (2008), Circle Mirror Transformation (2009), The Aliens (2010), and Nocturama (2014).
Sheila Callaghan (born 1973) is a playwright and screenwriter who emerged from the RAT (Regional Alternative Theatre) movement of the 1990s.She has been profiled by American Theater Magazine, [1] "The Brooklyn Rail", [2] Theatermania, [3] and The Village Voice. [4]