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Gerzeh Palette – Gerzeh palette: Egyptian Museum, Cairo Hunters Palette: 30.5 x 15 cm (12 x 6 in) British Museum (smaller fragment in Louvre) Libyan Palette (original, approximated: 70 x 25 cm) (ht x width) Egyptian Museum, Cairo (surviving dimensions: ~18.5 x ~21 cm, (7 x 8 in)) (ht x width) Min Palette El Amrah Palette – Narmer Palette
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose ...
drawing of an Ancient Egyptian child, depicted naked with the sidelock of youth. New Kingdom. Museo Egizio, Turin. Rameses II represented as a child with his sidelock. The sidelock of youth (also called a Horus lock, Prince's lock, Princess' lock, lock of childhood or side braid) was an identifying characteristic of the child in Ancient Egypt.
The Bull Palette (remainder piece about 10 inches (25 cm)) is made of mudstone or schist, and is etched in more atypical medium to medium-low relief than similar cosmetic palettes. A presumed 'fortified city' on the obverse (front) in the upper register has a major loss of the city-rectangle on upper left showing this medium-level bas relief .
The Manshiyat Ezzat Palette is an ornately adorned schist cosmetic palette from predynastic Egypt found at a cemetery in the eastern Delta town of Manshiyat Ezzat, Dakahlia Governorate. The gravesite is from Pharaoh Den's reign, First Dynasty of Egypt. [1] The palette is of low to moderate bas relief. (see diagram and photo: [2] graphic: )
The "Four dogs Palette", Room 633 of the Louvre. Cosmetic palettes are archaeological artifacts , originally used in predynastic Egypt to grind and apply ingredients for facial or body cosmetics . The decorative palettes of the late 4th millennium BCE appear to have lost this function and became commemorative, ornamental, and possibly ceremonial.
The Narmer Palette, thought to mark the unification of Upper and Lower Egypt; note the images of the goddess Bat at the top, as well as the serpopards that form the central intertwined image. Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory , dating from approximately 3200 to 3000 BC. [ 2 ]
Lower fragment, obverse, (28 x 20 cm), in the British Museum. The Battlefield Palette obverse contains the circular defined area for the mixing of a cosmetic substance. It contains the battlefield scene, and forerunners of hieroglyphs: prisoner, tribal-territory wooden standard, the horus-falcon and an ibis bird resting on standards. The ...