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Count Dracula is an example of a villain in classic literature and film. Theme from Mysterioso Pizzicato, a cliché silent movie cue for villainy Play ⓘ. A villain (also known as a "black hat" or "bad guy"; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction.
THE CW. 36. Petra Solano from Jane the Virgin. Ah, Petra. She starts out as a cunning villain we love to hate, but then she grows into a fan-favorite protagonist.
The word archenemy originated around the mid-16th century, from the words arch-[3] (from Greek ἄρχω archo meaning 'to lead') and enemy. [1]An archenemy may also be referred to as an archrival, [4] archfoe, [5] archvillain, [6] or archnemesis, [7] but an archenemy may also be distinguished from an archnemesis, with the latter being an enemy whom the hero cannot defeat (or who defeats the ...
qualities considered dark traits, usually belonging to villains, (amorality, greed, violent tendencies, etc.) [3] that may be tempered with more human, identifiable traits that blur the moral lines between the protagonist and antagonist.
To other scholars, an antihero is inherently a hero from a specific point of view, and a villain from another. [ 4 ] Typically, an antihero is the focal point of conflict in a story, whether as the protagonist or as the antagonistic force. [ 5 ]
Dark lord figures are characterized by aspirations to power and identification with some fundamental force of evil or chaos, such as a devil or antichrist figure. [1] The Encyclopedia of Fantasy notes that common features of a dark lord character include being "already defeated but not destroyed aeons before" and engaging in "wounding of the land" or other rituals of desecration.
After the book's publication in 1894, the word "svengali" has come to refer to a person who, with evil intent, dominates, manipulates and controls another.In court, the "Svengali defence" is a legal tactic that portrays the defendant as a pawn in the scheme of a greater, and more influential, criminal mastermind.
Meta-ethics is the study of the fundamental questions concerning the nature and origins of the good and the evil, including inquiry into the nature of good and evil, as well as the meaning of evaluative language. In this respect, meta-ethics is not necessarily tied to investigations into how others see the good, or of asserting what is good.