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Imprint is a 2007 independent drama/thriller film co-written and directed by Michael Linn and produced by Chris Eyre. [ 1 ] [ 2 ] [ 3 ] The film is one of the only American films to feature an indigenous Native American lead role for an actress, played by Tongva - Kumeyaay actress Carmelo.
Catharine Rambau of the Detroit Free Press also criticized the film, writing: "Michael Mann's gothic horror movie The Keep is a letdown, an unfortunate hybrid mutation of disco horror, rock video, high fashion and imitation art", adding that even its competent special effects and musical score "don't help much". [40]
Pages in category "Films based on works by Rudyard Kipling" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. C.
The film opened the 1966 Venice Film Festival and was hugely successful at the box office, making over $6 million on a $350,000 budget and kicking off the "biker movie" cycle. [ 93 ] He wanted to make a film about the Red Baron , but Columbia turned it down because of The Blue Max (1966).
Considered to be a "deliberately and spectacularly transgressive director whose work is lionized by a substantial share of the young generation of Internet critics and horror film fans, while routinely rejected as repulsively sadistic by much of the mainstream media", [1] Miike crafted "Imprint" based on the novel "Bokke e, kyōtē", by Shimako ...
This movie is generally seen as the quintessential time-loop movie by many with its name being synonymous with the genre as a whole. [13] [14] [15] Christmas Every Day: 1996: An American television movie based on William Dean Howells's 1892 short story "Christmas Every Day". A selfish teenager is forced to relive the same Christmas every day.
The book debuted in 2009, at the same time the film had begun production, and the film reached the screens in 2011. The film had a budget of $15 million and grossed $13.8 million domestically and $56.7 million globally; the book sold 1.5 million copies (with an additional 750 thousand copies of the movie edition ).
The film was announced in September 1964 as Eli Kotch and producer Carter de Haven and writer Bernard Girad set up a company, Crescent, at Columbia. [2] Both men had worked extensively in television and wanted to get into features. The film was an original of Girard's. "I wouldn't so much call Eli Kotch a con man as a contemporary hero," said ...