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This is an accepted version of this page This is the latest accepted revision, reviewed on 16 February 2025. Family Guy character "Giggity" redirects here. For the episode of Family Guy, see The Giggity Wife. Fictional character Glenn Quagmire Family Guy character First appearance "Death Has a Shadow" (1999) Created by Seth MacFarlane Designed by Seth MacFarlane Voiced by Seth MacFarlane In ...
List of musical chords Name Chord on C Sound # of p.c.-Forte # ... 0 5 7 t: Suspended So What chord ... This page was last edited on 20 February 2025, ...
Charmese said she has not had 2 weeks period of not having sex, since she was last in coma for 6 weeks. She worked in her profession for the last 40 years. When Quagmire is reluctant to pursue their relationship, Charmese questions if he's homosexual and when she says the marriage would be over if true, Quagmire pretends to be homosexual.
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
Quagmire sneakingly approaches her from behind, saying his "giggity" catchphrase to the shark motif composed by John Williams for the 1975 film Jaws. [ 6 ] [ 8 ] The title is a pun on the common phrase Big Man on Campus , but with campus changed to hippocampus , a reference to Peter's amnesia in the episode.
2nd episode of the 6th season of Family Guy "Movin' Out (Brian's Song)" Family Guy episode Episode no. Season 6 Episode 2 Directed by Cyndi Tang Written by John Viener Production code 5ACX14 Original air date September 30, 2007 (2007-09-30) Guest appearances Drew Barrymore as Jillian H. Jon Benjamin as Carl Jeff Bergman as Homer Simpson Episode chronology ← Previous "Blue Harvest" Next → ...
For example, while a classical piece and a swing arrangement might use the following chord sequence in the key of C major: "C – Am – Dm – G 7", a bebop bandleader might reharmonize the same progression as "C 7 – A 7 – D 7 – G 7", making a sequence of dominant seventh chords, so long as the new dominant chord harmonies were ...
This is possible because the ♭ II 7 has the same third and seventh as the V 7, but inverted; for example, the third and seventh of G 7 are B and F, while the third and seventh of D ♭ 7 are F and C ♭, which is enharmonic to B. Performing this substitution (in this case, changing Dm 7 –G 7 –C maj7 to Dm 7 –D ♭ 7 –C maj7) creates ...