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English: Exemplars of Ornamental Penmanship by American Master Penman Louis Madarasz (1859 – 1910), published posthumously in 1914. Compiled in the 'scrapbook' style, these examples by Madarasz show his skill with the pointed nib pen in the cursive writing style known as Ornamental Penmanship or Dashy Writing, practised in America around the turn of the 19th-20th centuries, which ...
An artist's impression, artist's conception, artist's interpretation, or artist's rendition is the representation of an object or a scene created by an artist when no other accurate representation is available. It could be an image, a sound, a video or a model.
Andalusi strophic poetry exists in two forms: the muwaššaḥ: a more complex version in Standard Arabic with the exception of the concluding couplet, or the kharja, and zajal: a simpler form entirely in vernacular Arabic. [4] The earliest known muwaššaḥs date back to the eleventh century. [4]
Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous.
The Black Mountain poets were largely free of literary convention, a feature which defined contemporary American poets. [6] Their work became characterized by open form. [3] Olson's pedagogical approach to poetry emphasized the importance of personal experience and direct observation, something which greatly influenced the Black Mountain poets. [7]
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Ma Zhiyuan's sanqu poem "Autumn Thoughts" (秋思), composed to the metric pattern Tianjingsha (天淨沙), uses ten images in twenty-two monosyllables to preamble a state of emotion, and is considered as the penultimate [citation needed] piece in Chinese poetry to convey the typical Chinese male literati's melancholy during late autumn: