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"And Can It Be That I Should Gain?" is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. [1] The hymn celebrates personal salvation through the death and resurrection of Jesus , and is one of the most popular Methodist hymns today.
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The 1770 version of "Africa" was published without lyrics. Since it readily fits any iambic quatrain written in couplets of eight and six syllables (common meter), singers of this version would certainly have had no trouble finding lyrics to accompany it. Such quatrains are common in hymn lyrics.
The chorus of "Kum-A-Kye" is based upon the 19th-century American campfire song " The Old Chisholm Trail", which was brought to Southern Rhodesia by two cowboys familiar with the Texan Chisholm Trail, who had joined the British South Africa Police. [3] In 1939, the BSAP asked Sergeant Sparks to create a military band for them.
We should protect/guard our Community We should be committed and stand strong Our unity is our anchor Long live our community Oh God we pray For preservation of the East African Community; Enable us to live in peace May we fulfil our objectives Patriotism and togetherness Be the pillars of our unity May we guard our independence and peace
Image:BlankMap-World-v3.png – Version of v2, but using thin lines between islands owned by the same country so countries can be colored in one click – may be more convenient for converting large amounts of country data to a map.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).