Search results
Results From The WOW.Com Content Network
Code of the Quipu is a book on the Inca system of recording numbers and other information by means of a quipu, a system of knotted strings.It was written by mathematician Marcia Ascher and anthropologist Robert Ascher, and published as Code of the Quipu: A Study in Media, Mathematics, and Culture by the University of Michigan Press in 1981.
With her husband, Ascher co-authored the book Code of the Quipu: A Study in Media, Mathematics, and Culture (University of Michigan Press, 1981); it was republished in 1997 by Dover Books as Mathematics of the Incas: Code of the Quipu. [6]
Quipukamayuq with his quipu and a yupana, the main instruments used by the Incas in mathematics. The mathematics of the Incas (or of the Tawantinsuyu) was the set of numerical and geometric knowledge and instruments developed and used in the nation of the Incas before the arrival of the Spaniards. It can be mainly characterized by its ...
The word Quipu is derived from a Quechua word meaning 'knot' or 'to knot'. [16] The terms quipu and khipu are simply spelling variations on the same word.Quipu is the traditional spelling based on the Spanish orthography, while khipu reflects the recent Quechuan and Aymaran spelling shift.
Notably, an accession card for quipu B/8715 in the museum's collection indicates that the specimen was lent to Smith in November 1911, likely for Locke's research. [ 9 ] Locke's first major work on the Andean quipu was published in 1912 as an article in American Anthropologist , titled "The Ancient Quipu, a Peruvian Knot Record".
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
A tambo (Quechua: tampu, "inn") was an Inca structure built for administrative and military purposes. Found along the extensive roads, tambos typically contained supplies, served as lodging for itinerant state personnel, [1] and were depositories of quipu-based accounting records.
Eielson's poem Misterio on a house wall in Leiden, The Netherlands. Jorge Eduardo Eielson (April 13, 1924 – March 8, 2006) was a Peruvian artist and writer. As an artist, he is known for his quipus, a reinterpretation of an ancient Andean device, they are considered precursors of conceptual art.