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Blockhead (thought experiment), also known as Blockhead argument "Blockheads" (Arrested Development), an episode of Arrested Development; The Blockheads, a handheld device game released in 2013; Human Blockhead, a circus sideshow performer; The name used for a character in the game Blockland; Another name for the Harley-Davidson Evolution engine
Tony Simon (born October 8, 1976), [5] [6] [7] better known by his stage name Blockhead, is an American hip hop record producer and DJ from Manhattan, New York. Aside from his solo efforts released on the Ninja Tune label, he is most associated with producing tracks for Aesop Rock . [ 8 ]
Blockhead is a theoretical computer system invented as part of a thought experiment by philosopher Ned Block, which appeared in a paper titled "Psychologism and Behaviorism". Block did not personally name the computer in the paper.
Blockhead! is a simple tabletop game suitable for children four years of age or older. It was invented in 1952 by G.W. "Jerry" D'Arcey and developed by G.W. and Alice D'Arcey in San Jose , California .
The Blockheads is a 2.5D survival sandbox game. The players control a customizable "Blockhead" avatar and can explore their surroundings, navigate through the world map, harvest materials to create structures, and craft more advanced tools and materials in the game. Aggressive and passive creatures exist on land, underground, and in bodies of ...
Garbology is a collaborative studio album by rapper Aesop Rock and producer Blockhead.It was released through Rhymesayers Entertainment on November 12, 2021. The album was preceded by one single, "Jazz Hands", which was released on October 13, 2021, alongside a music video directed by Rob Shaw.
Uncle Tony's Coloring Book is the third solo studio album by American hip hop producer Blockhead. It was released on August 14, 2007. [ 1 ] The vinyl edition of the album was later released on Young Heavy Souls.
Aaron Matthews of Exclaim! described the album as "a bleary descent into the darker hours of night, evoking dollar cabs, cheap pizza and half-emptied 40 oz. bottles." [3] D. M. Collins of L.A. Record called it "an album that follows through on the promise of hip hop and breakbeat that rarely gets fulfilled: full sample immersion that leaves its sources big and bold yet fully, delightfully ...