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"Thinking Out Loud" is a romantic ballad [14] [15] with blue-eyed soul influences. [1] Sheeran referred to it as a "walking down the aisle song". [16] In the lyrics, Sheeran reflects on "getting older and fidelity and love in a fairly conventional context", according to Eric Clarke, professor of music at University of Oxford.
Like guitar, basic ukulele skills can be learned fairly easily, and this highly portable, relatively inexpensive instrument was popular with amateur players throughout the 1920s, as evidenced by the introduction of uke chord tablature into the published sheet music for popular songs of the time [25] (a role that was supplanted by the guitar in ...
Spring clamp capo A guitar capo with a lever-operated over-centre locking action clamp Demonstrating the peg removal feature on an Adagio guitar capo. A capo (/ ˈ k eɪ p oʊ ˌ k æ-ˌ k ɑː-/ KAY-poh, KAH-; short for capodastro, capo tasto or capotasto [ˌkapoˈtasto], Italian for "head of fretboard") [a] is a device a musician uses on the neck of a stringed (typically fretted) instrument ...
Jake Shimabukuro (born November 3, 1976) is a ukulele virtuoso and composer from Hawaii [a] known for his fast and complex finger work. [2] His music combines elements of jazz, blues, funk, rock, bluegrass, classical, folk, and flamenco. [3]
It is essentially a modern iteration of the Quint guitar. [5] A guitalele or guitarlele. A guitalele is the size of a ukulele, and is commonly played like a guitar transposed up to “A” (that is, up a 4th, or like a guitar with a capo on the fifth fret). This gives it tuning of ADGCEA, with the top four strings tuned like a low G ukulele. [6]
By Request (Songs From The Set List) 2018, UOGB(CD) The Only Album by the Ukulele Orchestra You Will Ever Need Volume Three – 2019, UOGB (CD) The Only Album By The Ukulele Orchestra You Will Ever Need, Vol. 9 – 2020, UOGB (CD) Never Mind The Reindeer – 2020, UOGB (CD) One Plucking Thing After Another - 2021, UOGB (CD)
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Scott Yanow at AllMusic awarded Thinking Out Loud two stars out of five. He described it as "sounding unexpectedly close to George Benson", but Gambale's compositions were criticised as weak ("funky but without soul or any worthwhile melodies") and Dave Weckl's performances as "remarkably dull automatic pilot drumming". [1]