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A Piece of PI for Solo Violin (2008) Ruggiero Ricci "Jeux interdits" Romance (arranged: from Anonimous) "Recuerdos de la Alhambra" for violin solo (transcription from: Francisco Tarrega) "La Cumparsita", Tango for solo violin (transcription from: Gerardo Matos Rodríguez / arranged by Vicente Zito / edited by Ricci) George Rochberg
Violin Concerto No. 1 in F major, opus 69 (before 1934) Violin Concerto No. 2 in G major, opus 86 (before 1943) Arthur Somervell. Violin Concerto in G minor (1930) Vladimír Sommer. Violin Concerto (1950) Leo Sowerby. Violin Concerto in G major (1913, rev. 1924) Louis Spohr. 15 violin concertos and other works for violin and orchestra; Charles ...
The 'Violin Sonatas', KV 10–15, are unique in that they include an ad lib. cello part along with the score for violin and keyboard. The Neue Mozart-Ausgabe (1966) therefore includes them along with the other keyboard trios, although the Köchel catalogue (K 6 , 1964) lists them as normal violin sonatas.
The Sei Solo a Violino senza Basso accompagnato (Six Solos for Violin Without Bass Accompaniment), as Bach titled them, firmly established the technical capability of the violin as a solo instrument. The pieces often served as archetypes for solo violin pieces by later generations of composers, including Eugène Ysaÿe and Béla Bartók.
Sérénade mélancolique, Op. 26, for violin and orchestra (1875) Variations on a Rococo Theme for cello and orchestra, Op. 33 (1876–77) Valse-Scherzo for violin and orchestra, Op. 34; Violin Concerto in D major, Op. 35 (1878) Piano Concerto No. 2 in G major, Op. 44 (1879–80) Concert Fantasia in G for piano and orchestra, Op. 56 (1884)
Year Op. M.S. catalog [1] Title Key Instruments Notes 1795 c. 1: Carmagnola con variazioni (Carmagnola variations) A: Violin / Guitar: 14 Variations on the French Hymn "Carmagnole"
String Trio, op. 45 (1946). The violin and cello play col legno battuto; the violin plays col legno tratto in double stops; all the instruments play col legno tratto ponticello, double stops; violin and viola play col legno tratto ponticello in double stops, which are also played tremolo (Boyden 2001; Schoenberg 1950, 1–5, 14, 18–19)
for voice, violin and piano; English version by Edward Agate: 6 Romances, Op. 4: No. 4, Ne poy, krasavitsa, pri mne (Oh, cease thy singing, Maiden fair) for voice, violin and piano; English version by John McCormack: 15 Romances, Op. 26: No. 7, K detyam (To the children) for voice, violin and piano; English version by Rosa Newmarch