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9/11 grossed $170,000 in the United States and Canada and $30,229 in other territories for a worldwide total of $200,229. [9] The film received a 3-day release in North America, opening in 425 theaters. The film grossed $55,000 its first day and finished the weekend with $170,000, ranking 29th with an average of $400 per theater. [9]
The Who concert disaster was a crowd disaster that occurred on December 3, 1979, when English rock band the Who performed at Riverfront Coliseum (now known as Heritage Bank Center) in Cincinnati, Ohio, United States, and a rush of concert-goers outside the Coliseum's entry doors resulted in the deaths of 11 people.
The pair quarrelled, particularly in the mid-1970s, over the group's direction. [375] During his time with the band, Jones was subject to intermittent criticism from Daltrey. [376] Entwistle's death in 2002 came as a shock to both Townshend and Daltrey, and caused them to re-evaluate their relationship.
And, in the ensuing decades, numerous documentaries and feature films have explored the events before, during and after what has become collectively known as 9/11. Today marks the 23rd anniversary ...
In the two decades since the 9/11 terrorist attacks, films have reflected on that tragic day, honored the victims and recognized the heroes who risked their lives to save others. While the footage ...
This movie was filmed from January to May 2001, four months before the 9/11 attacks. [citation needed] City by the Sea (2002) - The movie has some shots of the World Trade Center that were not edited out. Gangs of New York (2002) – The film ends with the New York City skyline containing the Twin Towers. The filmmakers had filmed the shot ...
Numerous films have been based on or depicted the September 11 attacks that occurred in 2001, the events leading up to them, and the aftermath of the attacks. See also: List of artistic depictions of September 11 attacks.
Worth is a 2021 American biographical film written and co-produced by Max Borenstein and directed by Sara Colangelo.Based on the memoir by lawyer Kenneth Feinberg, the film depicts Feinberg's handling of the September 11th Victim Compensation Fund.