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In 2009, Simon & Schuster published Hound Dog: The Leiber and Stoller Autobiography, written by Leiber and Stoller with David Ritz. [21] As of 2007, their songs are managed by Sony/ATV Music Publishing. [22] With collaborator Artie Butler, Stoller wrote the music to the musical The People in the Picture, with book and lyrics by Iris Rainer Dart.
They were originally called the Masterettes, as a sister group to another group called the Masters, and released their first recording, "Follow the Leader", in early 1962. Wilbur then left the group to be replaced by Penny Carter, and they auditioned for Jerry Leiber and Mike Stoller, winning a recording contract.
The Coasters signed with Columbia Records' Date label in 1966, reuniting with Leiber and Stoller (who had parted ways with Atlantic Records in 1963), but never regained their former fame. [4] In 1971, the Coasters had a minor chart entry with " Love Potion No. 9 ", a song that Leiber and Stoller had written for the Coasters, but instead gave to ...
If there were an award to bestow for the most accomplished living American pop songwriter who never doubled as a recording artist, the frontrunner would almost definitely be Mike Stoller, 89, half ...
Written by Leiber, Stoller, and Billy Edd Wheeler #9 US country "On Broadway" The Drifters 9 7 - Written by Leiber, Stoller, Barry Mann and Cynthia Weil 1978: George Benson, #7 US pop, #2 R&B "The Reverend Mr. Black" The Kingston Trio: 8 15 - Written by Leiber, Stoller, and Billy Edd Wheeler 1982: Johnny Cash, #71 US country "Rat Race" The ...
"Charlie Brown" is a popular Jerry Leiber and Mike Stoller song that was a top-ten hit for the Coasters [2] in the spring of 1959 (released in January, coupled with "Three Cool Cats", Atco 6132). [3] It went to No. 2 on the Billboard Hot 100 singles chart, while " Venus " by Frankie Avalon was at No. 1. [ 4 ]
Mann and Weil were disturbed when "Only In America", a song they had written with the team of Jerry Leiber and Mike Stoller and conceived originally for and recorded by the Drifters as a protest against racial prejudice, was re-worked by Leiber and Stoller into an uncontroversial success for Jay & The Americans.
That record was quickly followed the same year with cover versions by Georgia Gibbs, Connie Russell, Billy Eckstine, Kay Brown, the Four Escorts, the Billy Williams Quartet, the Woodside Sisters and the DeMarco Sisters, and in January 1955 by Jimmie Rodgers Snow. Most of these records were well reviewed in the trades, [3] but none was a hit.